Attitude

Today I started to add some personality and a bit of attitude.

  

I Came Back To A Sagging Old Man!!!

Compatriot Michael Tieman

So, remember I talked about the clay melting if it got too warm in the room.

Yep, it happened. Today I went into the studio after not being in it for a few days and the hat had melted and fell into his arms. And it had slumped a bit, he gained a few inches around the waist and it was lower. In other words, he got old.

So today I turned on the air conditioner, pushed his gut back,  replaced and rebuilt the hat. Drove a few screws into the hat and into the foam of the head.

Once I did that, I added clay to the musket to cover the wood base.

Then, I started to add the harder foundry clay covering the base clay.

My hands were screaming so I had to stop for the day. I put the fan on for the night on the clay and put my compression gloves on me for the night.

Tomorrow I call the foundry to order some clay as I am on my last ingot.

One Fold At a Time ...

Compatriot Michael Tieman

And now that the base is in, I begin on building the body up and adding the clothes. One fold at a time. Here I need patience and a lot of clay.

Hands to the Musket

Compatriot Michael Tieman

 The end of work yesterday.

I added more foam to bring out the arms to where they need to be. Added the musket form, I traced my musket onto a 1x8x6' piece of Hemlock to get the correct shape and size. This will be the form I add the clay to.

The arms and hands are now in final position.

Took today off and went to the beach with family. Back to work tomorrow.

Clay, Clay and More Clay

Compatriot Michael Tieman

The easy part is done. The underside form. Spent the day just adding clay to the form. Tedious work, but some days are like this. Had the fan on all day as it was warm in the room and the clay was getting a bit soft. It made it easier to work with, but it can't get too warm.






Now to shape it so it looks human and work in the details

Softer Clay As a Base

Compatriot Michael Tieman

After a few hours of work I had to stop early because the arthritis in my hands was acting up

Because of that I am using a soft Van Aken Plastalina from Blicks. It is softer and easier to work with when my hands act up. Works pretty well. When I have covered the entire figure with it I hope to get back to the harder foundry clay as it holds the detail better then this softer one.

I will take Saturday and Sunday off then hopefully back to work Monday .

The Clay Begins to Take Shape

Compatriot Michael Tieman

For those who may try to apply oil based clay to the foam. Don't, it won't stick.

Again, Home Depot has what you need, a roll of 6" wide gutter screening. The perfect base. Cover all of the foam with the screening then apply the oil based clay. I also use the screening as a base for fabric as it can be twisted and folded and retains it shape.

This type of clay does not dry out or harden which for me is great. No water to mess with and clean to use, and I don't have to worry about it drying too fast or keeping it moist as in a water based clay. And if I don't like something, I pull it off and redo it. I have gone back to unfinished pieces I started years ago, hit the clay with a bit of heat from a hair dryer and continued on. The oil based clay becomes soft with just the heat of your hands. I buy it in 10 lb. ingots from a foundry. It comes in soft, med and hard. The hard I use for detail work, the base is soft.

This clay is perfect for when I did demos in a gallery. I can work in a 6'x6' area in the gallery and I don't have to worry about people spilling water, or getting the clay on the floor, or keeping it moist. The galleries I have done demos in love it.

Beware though.

Don't leave your work in a hot environment. I had a friend that completed his sculpture, went away for the weekend to celebrate and when he came back the piece had melted. There was a heat wave that weekend and he had not turned on his fans on the sculpture before he left. I have had to put fans on pieces while I was working so it would not become too soft. I have also hit small areas with cold air in a can to freeze a portion so I can add detail.

Also, I reuse the clay from sculpture to sculpture. When a piece is finished, molds are made and the last piece in the edition has been cast, I tear apart the original and reuse the clay. Frugal. I guess there is a piece of all of my past sculptures in all of my future ones.

You will notice that there is a heart. I always start my people sculptures by placing the heart. It gives the piece a soul.

And Now the Foam

Compatriot Michael Tieman

Cutting and applying foam board. 

I am adding the clay to this and will begin to sculpt the figure. 

The foam gives me a firm support for the clay, I use less clay and it is lighter in weight as a finished piece

Starting the back board

Day Two

Working on the life-size sculpture of the Revolutionary War Rifleman/Militia soldier. 

Went to my favorite Home Depot to get the supplies I need as the support for the clay sculpture. Then I cut the boards and cleated them together to make a 7' x 2' back support board. 

 

Now I have brought the piece into my small studio and added the drawing. Good thing I have 8' ceilings.

 

To see more of this project, go to my Blog and read my daily Journal.

Michael Tieman, artist

Life-sized bronze bas-relief sculptures started

Starting one of three the life-sized bronze bas relief sculptures for the Oregon Revolutionary War Orwm Memorial. These are the Rifleman/Militia soldier initial and life size drawings. Next I start the clay original sculpture. Good thing I have 8' ceilings.

New Committee Members

Today the Lewis & Clark chapter has appointed
six new members to the ORWM Committee for a total of eight.

The ORWM Committee:

SAR Compatriots:
Michael Tieman, Teddy Mills, Tom Akers,
Mark Robertson, Rob Greene, Bob Simpson, Gene Foley.

DAR Daughter:
Patti Waitman-Ingebretsen